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Sometimes, after a while, you can take out the original loops altogether and the construction stands up on its own, like removing the framework from an arch when all the bricks are in place. It can also be a starting point to inspire something else: you set a few loops going and you hear a new groove that you can start working against. This is fantastic for kids, or if you enjoy putting together songs as a hobby without having the spare time to learn all the dorky synthesis stuff. This can be cool: you sit down with Garage Band or Reason and throw together a bunch of library loops until you have a song. While loops were once predominantly dance and hip-hop tools, they are now used routinely in the production of most genres of music.Īnd loops can also make things rather easy.
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For a long time they were associated with hardware samplers, but now they're everywhere: in REX players such as Propellerhead Reason, Emagic Logic, and Steinberg Cubase in specialised plug-ins such as Bitshift Audio Phatmatik Pro and Native Instruments Intakt and in audio sequencers such as Ableton Live, Sonic Foundry Acid, and Apple Garage Band. Sampled loops are part of the fabric of modern music production.
PROPELLERHEAD RECYCLE GROOVE 3 TUTORIAL HOW TO
We look at the leading beat-slicing software and show you how to get the best from this powerful technique within your sequencer. Beat slicing can radically expand the creative potential in your loop library - you can match tempos and key signatures, rearrange loop events, and delve into inspirational sound design.